Tell us about yourself.
I was born on the east coast and while not having a formal art degree, art has been an integral part my life since childhood where I started with glitter pinecone wreaths. With extensive experience in textile arts, including lace making, tatting, and making religious vestments. My last major textile installation was St. Mark’s Cathedral in Seattle, Washington. I explored ceramics, metal, painting, and wood as other ways to creative. I worked in mixed media until 2014 and became stagnant. In 2016 as a last attempt to find a new creative outlet, I found glass. Finally finding a studio and teacher to teach and work with me as a wheelchair user almost did not occur as it was the last studio in Seattle that finally allowed me to try a class. Finding glass later in life and overcoming all the challenges that came/come with it has been very worthwhile.
What draws you to the material you work with?
Hot glass allows me to use all the artistic skills I have acquired over the years into one medium. It never ceases to amaze me what past skill comes in handy working with hot glass.
What themes do you pursue in your work, and why have you chosen the processes that you use in your work?
I always have been interested in natural elements such as the wind, the water, flocks of starlings moving in the sky, and the clouds. Nature is a very powerful theme throughout my work. It resonates with emotions and feelings.
What is your dream project?
Creating a meditation room that features everything in glass.s.
Why are you a member of GAS?
It is an avenue that allows me to connect with others who share the same interests.