Reflections from Anne Stonehouse, GAS Australia Traveler
Disclosure: As the only Australian on the tour, I wanted my fellow travellers to come away from their time in Australia impressed with not only glass artistry here but also all things Australian. I declare my bias, which perhaps predisposed me to take a somewhat critical stance.
I have long loved glass for its beauty, versatility and the mesmerising processes that create it. I am a modest collector (my financial status is a mismatch with my tastes!). When I read the draft itinerary for the GAS tour in Australia, I couldn’t imagine a better way to spend 12 days. I wasn’t disappointed. I was thrilled to be in the presence of artists whose work I have long admired, and it didn’t matter that the other participants brought perspectives informed by considerably more knowledge than I had. Many had direct experience of working with glass. From an interesting mix of amiable people, diverse in many ways and sharing a common interest in glass, I learned so much.

The warmth and hospitality of glass artists shone. They welcomed us into their studios and sometimes into their homes. On both Saturday evenings of the tour, artist couples Matt Curtis and Harry Schwarzrock in Canberra and Nick and Pauline Mount in Adelaide, held fun, lively parties at which we were guests, as were members of the local glass art community, most of whom we had visited. This afforded an additional opportunity to interact with glass artist rock stars.
The itinerary wasn’t only glass-focused. Visits to the Art Gallery of New South Wales, Ngununggula (Southern Highlands Regional Gallery), the National Gallery of Victoria, and the Art Gallery of South Australia offered glimpses into broader national and international art worlds. The tour even included a chance to get up close and personal with Australian wildlife. Free time allowed us to pursue individual interests (or rest!). And the meals provided were delicious, varied and generous.

The tour was just long enough and not long enough. There was so much more we could have done in each of the cities we visited. It must be very hard to plan and execute (even harder!) any tour that balances glass and non-glass activities, offers a mix of structured and free time and caters for diverse ages and abilities. The logistical challenges of this one, taking place over four disparate cities, undoubtedly complex, were phenomenal. Brandi and Julie kept the group on time and organised, and at the same time were exceptionally warm and caring. It’s hard to believe that they were not travel tour organisers and leaders in their former lives!
I’m looking forward to learning about upcoming tours. Another GAS tour is top of my list of travel hopes for the future, despite the next one almost certainly requiring more than a 1 ½ hour flight, a passport and customs or immigration demands!
Anne Stonehouse
GAS Member
Melbourne, Australia
Thank You to Our Australia Travel Program Partners!

Sydney
Art Gallery of New South Wales
Sabbia Gallery
Mark Elliott
Kate Baker
Ben Edols + Kathy Elliott
University of Sydney, College of Art, Glass Department
Cobi Cockburn
Chau Chak Wing Museum

Mittagong
Ngununggula Gallery
Redford Park
Small Impact Studio
Scott Chaseling
Gina Fairley

Canberra
Canberra Glassworks
Aimee Frodsham
Mel Douglas
Hannah Gason
Tom Rowney
Annette Blair
Australia National University
Jeffrey Sarmiento
Kirstie Rea
Lisa Cahill
Matt Curtis + Harry Schwarzrock
Billy Crellin
Brenda Page

Melbourne
Blanche Tilden
HotHaus
Laurel Kohut
Amanda Dziedzic
Heide Museum of Modern Art
Ruth Allen
Mariella McKinley
Moonlit Sanctuary
Gordon Studio Glassblowers
Arthurs Seat State Park
McClelland Sculpture Gallery
National Gallery of Victoria

Adelaide
Art Gallery of South Australia
Rebecca Evans
Adelaide Botanic Gardens
Jam Factory
Brian Parkes
Janice Vitkovsky
Alex Valero
Alex Hirst
Tom Moore
Loughlin Studio
Jessica Loughlin
Clare Belfrage
Tim Edwards
Kristel Britcher
Drew Spangenberg
Marcel Hoogstad Hay
Llewelyn Ash
Liam Fleming
Jessica Murtagh
Nick + Pauline Mount
Tim Shaw
Giles Bettison